Tag Archives: Kate Moss

The Bees Knees – AUSTRALIAN FINANCIAL REVIEW

The Bees Knees

AFR | December 2011

by Marion Hume

Cor blimey, I should have turned up in a “Pearly Queen” outfit, because I seem to have walked in to Old London Town. Fish and chips? Served in twists of newspaper by waiters in bowler hats.  A nip of gin? Coming right up. Red-jacketed Queen’s guards? Yes, but unlike those standing sentry outside Buckingham Palace, these lads are sporting Extra Wow Lash mascara under their towering bearskins.

The venue is an iconic London landmark, the Battersea Power Station that is truthfully too far from the steeple of Bow Bells for anyone to claim to be cockney. But that’s not going to stop supermodel “mockney” Kate Moss from arriving in style. Pump up London Calling by The Clash and look! That’s Kate’s chopper overhead!  It touches down and the ultimate London girl then runs down a red carpet in a little red dress to match her Lasting Finish shade #1 red lips.

That certainly gets the party started to celebrate her 10-year association with Rimmel London, (which used to be called just plain ‘Rimmel’ and was actually founded by a Frenchman). This birthday bash has been going on all day. Earlier, it was red, white and blue cupcakes and an English tea party at Claridge’s hotel, where fashion’s famous sphinx, (again sporting Lasting Finish shade #1) picked up a microphone and actually spoke, albeit briefly.

Interviewer: “What was it like filming the latest commercial?”

Kate: “It was so much fun.”

Interviewer: “What was the best bit?”

Kate: “The last shot was good, thank you for coming everyone.”

Come they have. The beauty press have been flown in from all corners of the globe to try New Lasting Finish 25 Hour Foundation and Vinyl Max Gloss. Me? While I admit I’ve grabbed a Scandaleyes mascara and Traffic Stopping eyeshadow in Over the Limit #001, I’m here to talk to the boss, Bernd Beetz, (and yes, it does sound like Burned Bees).

Beetz helms Coty Inc. (which has Rimmel London along with Calvin Klein fragrance and Sally Hansen nail varnish and Lancaster skincare and JOOP! body splash, etcetera, etcetera, in a vast portfolio). While Moss’s 10 years with Rimmel have seen her jumping off double decker buses and roaring past Big Ben on a motorbike  and going from “nought to Sexy in seconds”, Beetz has been the puppeteer, dramatically repositioning a ragtag of mass-market fragrances and toiletries as well as marshaling new launches and snapping up acquisitions to create a global beauty behemoth with revenues of more than $3.5 billion in 2010. A word on those acquisitions. In just two months this year, Coty snapped up four major beauty companies, Dr. Scheller Cosmetics, Philosophy inc, The nail line, OPI and TJoy, the latter a Chinese skincare brand.

Australia has a role to play in all this.  Talking just Rimmel alone, we rank fourth among key markets and are also viewed as a territory with the maximum upswing (which translates as “they could sell even more here and they’re certainly going to try”). Already successful is Rimmel’s value priced (cheap), self-serve (grab your own,) accessible (teenage), make-up, although even after HRH’s recent, well received visit to Queensland and beyond, you wouldn’t be betting on how many Union Jack eyeshadows in Royal Blue and Purple Reign will be sold on these shores.

By now Bernd Beetz (61 year old, wearing a suit, no tie he commutes between Coty’s Paris and New York HGs and is almost always in transit), is posing for the paps with Kate Moss and his close lieutenant Steve Mormoris, the Senior Vice-President, Global Marketing for Coty Beauty. Coty has two main divisions; Coty Prestige, which encompasses perfume and cosmetics for such brands as Karl Lagerfeld, Marc Jacobs, Vivienne Westwood and Balenciaga; and the somewhat more “masstige”Coty Beauty, with labels such as Kylie Minogue, Beyonce Knowles, David and Victoria Beckham and Kate Moss, also has a Coty perfume range that sells in supermarkets.

Moss has good reason to be hugging Beetz and Mormoris, considering these businessmen stuck by her when she was mired in an alleged cocaine scandal that saw much edgier fashion brands judge her too hot to handle. While Mormoris decided not to ditch her,  ultimate veto lay with Beetz. That he did not let Moss go is among a series of sometimes surprising decisions that made him the subject of a Harvard Business School paper; Bernd Beetz: Creating the New Coty by Professor Geoffrey Jones and Senior Researcher David Kiron.

“Is this an average day for you?” I ask Beetz, (and given the scene, what would you have tried as an opening gambit?) Beetz is German. He considers the question and replies with care. “It is not so average. After this, I go on to…normal business. This event is particular because it marks the 10 year anniversary of me taking over Coty. It is 10 years since working here with Steve and I took Kate Moss as the key spokesperson for Rimmel, which was my first big decision.”

And you’ve stuck with her. “Basically there were two things. She was loyal to us, so we were loyal to her. We are not people that dump a loyal supporter and we were also lucky because we are a private company. So even if our business would have gone down, it is something we could have afforded. Secondly, everything is not sugar-coated and straight-forward in life, so it seemed not be a bad idea to stick with her and show that life has difficulties. I think that in hindsight, it was a good idea.”Other businessmen might agree, especially if it were to lead to them partying with one of the most famous beauties on earth in the roped-off VIP area.

Bernd Beetz  comes from Heidelberg, was educated in Mannheim and is the son of an engineer who built power plants. He speaks English, French, Italian and Turkish fluently (“with conversational Spanish”). For 20 years, he worked across Europe for P&G ( the leading consumer product company, Procter & Gamble), then at LVMH, where he was president and CEO of Dior and is credited with the blockbuster success of J’Adore fragrance.

Securing the top job at Coty was not an inviting prospect in 2001. While the name dates back to 1904 and Francois Coty, a French perfumer who was much admired by Coco Chanel, Coty had been sold and amalgamated and downgraded to little more than a tattered umbrella over a bunch of brands with competing agendas and unimpressive market share. By 2001, Coty had been spun off from a chemicals conglomerate called Benckiser, privately-owned by the Reimann family and run by Peter Harf. However, Harf  did have to wisdom to realise that success flogging household cleaning products did not give him the skill set required to build an upscale beauty portfolio on the side.  For that, he had Beetz in his sights.

Back then, Beetz was the man-of-the-moment. He had doubled profits in two and a half years at Dior and earned a reputation as an inspired marketer. He was living in a luxury Paris apartment (complete with personal chef and chauffeur). Looking back now, he recalls the experience of working for LVMH boss Bernard Arnault as transforming, citing the luxury goods titan’s mastery at translating concepts into products  “He taught me a new aspect on how to approach a luxury brand”.  Beetz was surprised to find his old business acquaintance Peter Harf standing in the street outside his door one morning in 2001. Harf approached with an offer he could not refuse. If, after two years, he couldn’t fix Coty, he would be free to go with a big fat bonus. If he could, the company would be his to run as he liked.

Beetz said yes and by the way, he would make Coty one of the world’s top beauty companies within a decade as well. (At the time, Coty ranked 32nd). Today? It’s number 12 according to Women’s Wear Daily’s Top 100 Beauty listing after Kao Group, Johnson & Johnson, Chanel, and LVMH Moët Hennessy Louis Vuitton.  Coty now comprises more than 40 well-known brands available in over 90 markets worldwide.

Beetz has achieved the turnaround first pulling everyone into line and then setting them free. (The Harvard study dubbed this a “Faster, Further, Freer” corporate culture). But setting people free surely carries risk that they are free to fail? “It’s not luck,” is Beetz reply on that. “We didn’t have a major failure. I’m not afraid to admit that we have been by and large very successful.”  Part of that success has been wise acquisitions. An US$800 million acquisition of Unilever’s fragrance division, including the Calvin Klein fragrance license along with the romantic scents of Vera Wang and the fashion-forward Chloe made Coty the world’s largest fragrance company. But what of deals that got away? “I know but I’m not going to answer,” says Beetz.

Elsewhere in the beauty business where both the profits – and the losses – are potentially enormous – (for example, 90% of new perfume launches fail within a year) , it is not unusual for big decisions to be made by consensus. Senior executives might be polled on what a teenage fragrance should smell like (mostly just like an earlier success), how the bottle should be shaped (like one that exists)  – in other words, companies can be hampered by highly accomplished staffers being part of decisions that have little to do with what they are good at. One of Beetz’ skills has been to let the people best placed to make creative decisions do so. In this, it helps that the company is private. “I don’t think we could have accomplished what we did in the last ten years without the strong support of the family of the mother company,” Beetz says.

“Actually we have the best of both worlds. We have the support of the family which is part of the 7th generation. But they are not involved in the management so we have a clear meritocracy. This entitled me to the job and I have been successful ever since. Nobody in the family works here, not even on the board.”

There are 3 key product pillars of Coty inc:- There’s colour cosmetics, anchored by the storming success of  Rimmel, which legitimately earned its “London” tag in 1834 after Eugene Rimmel set up shop away from his native France, then his British-born sons developed the first non toxic mascara. But Rimmel was barely known outside of Britain ten years ago. The strategy since then has been to invest in R&D, to align the brand closely with the vibrant street style of urban tribes, to pump up the image while pushing down the price (its lipsticks sell  for as much as 20% less than close competitors).

Next come the sun and skincare lines, which range from Lancaster, which traces its heritage to the jet-set of 1950s Monte Carlo, to TJoy. This has provided a foothold into China through TJoy’s existing distribution channels as well as a platform for expansion. But there’s a challenge inherent here.

Coty’s biggest product category by far, (62% of total revenues) is fragrance. In much of Asia, dabbing on perfume is neither a tradition nor is it popular.  Give it time; for Asian markets, Coty now create “flankers”, softer versions of star scents, hence Calvin Klein Euphoria becomes the lighter, entry-level Calvin Klein Euphoria Blossom. Cracking China is the goal of many western beauty conglomerates and here, Coty is far from the front runner. “We are the challenger in that game and we only have a very low presence,” concedes Beetz.  “We started off in Europe and then we conquered America and we were a bit behind in China. We acquired TJoy to develop a meaningful presence.” With a bridge to Beijing, will Rimmel be roaring into town? How well is Kate Moss known in China? “She’s known,” says Beetz gnomically.

At the turn of the millennium, you might have described Jennifer Lopez more as notorious; given her relationship with rap mogul, Sean “P Diddy/Puff Daddy” Combs and an incident involving a gun in a New York nightclub. So although J.Lo’s “people” were shopping around the notion that the Latina bombshell might front a fragrance, not surprisingly, there were not a lot of takers. In any case, the category was moribund.

In the 1990s, Elizabeth Taylor had become almost as well known for the fragrance White Diamonds as her role as Cleopatra but, with her notable exception, over the next decade, celebrity scent had diminished to dime store sales for cable TV stars.

Yet against this backdrop, Beetz’ gut told him a celebrity scent was exactly what was needed to power out his re-energised Coty. He let “his people” talk to J Lo’s “people”. He proved willing to sign the cheques that allowed an executive to hang out with Lopez, to learn what she was really like (far sweeter than her reputation, apparently) and then to encapsulate that in a flacon based on her body (a trick first tried in the 1930s when Mae West posed for a bottle based on her Hollywood curves).

It could have been a tacky disaster story. Instead, a range of JLo fragrances – which still sell, despite most fragrances having somewhat short “lives”  – has generated cumulative revenues topping US$1 billion. The launch of Lopez’ first fragrance with Coty, J.Lo Glow is often attributed with reinvigorating the entire celebrity fragrance category.

The rumour back then was that Beetz identified J Lo or Madonna as his ideal collaborators. On the day Beetz and I meet there’s a faint rumour going around that Madonna is, at last, entering the scent scene. So who is the diva’s industry partner and how do you bottle Madge? “What are you talking about?” Beetz shoots back (It has since been announced that Coty’s Truth or Dare by Madonna, with topnotes of gardenias and tuberose, will launch at Macy’s New York on March 26 followed by an international roll out in May. “She was always on my list,” Beetz told fashion industry paper, WWD.)

Anyway, next up, for sure, are new launches from the Beckhams, plus Tim McGraw and Faith Hill recently announced the launch of a new Soul2Soul fragrance at their home in Nashville, Tennessee. And Lady Gaga will be gearing up to conquer perfume counters. For if you can sell 13 million plus albums worldwide and garner more than a billion views online and with 6.9million followers on Twitter, why wouldn’t you bottle it?

But it may come as a surprise to discover Coty does not do that. The world’s leading fragrance company does not make scent. Instead, it comes up with a concept then shops it out to the likes of Givaudan, Firmenich or IFF  (none of these are household names) to create the liquid in the bottle, or in industry parlance, “the juice”.

Once the juice is right, whether floral, spicy, mossy, citrus, chypre or fougere (the latter perfume term translates as “fern”), Coty bottles it, packages it, promotes it and hopes that we buy it labelled Kate Moss or Playboy or Adidas or – coming soon – four Elite Model fragrances: Paris Baby, London Queen, New York Muse, Rio Glam Girl –  tapping into the zeitgeist of Next Top Model TV shows.  At the prestige end of the spectrum, there’s Bottega Veneta, Cerruti, Davidoff, Jil Sander, and a new scent by Roberto Cavalli. Coty has also developed scents with Sarah Jessica Parker, Halle Berry, Heidi Klum, Gwen Stefani, Renée Fleming and Celine Dion.

Flagged up in the Beetz Harvard study is a warning that the amount of travel endured by senior staffers threatens life/work balance; although, as the Rimmel London party ramps up, Beetz shows no sign of weariness. “I don’t force myself to be fit for the job, I just like it. I like the lifestyle. I like the rhythm of it. So I don’t know if I keep fit for the job or if the job is just shaped in the way I live,” he tells me. As to keeping everything spinning, he replies, “I think I balance it very well. I’m basically working around the clock. Work is life.” Let’s drink to that.

Kiss and Sell, Sir Philip Green – AFR

SOFT POWER0
S,P,G,X21

S,P,G,X22S,P,G1 S,P,G2

KISS AND SELL. SIR PHILIP GREEN
by Marion Hume
The AFR Magazine September 2010

The self-made king of affordably fabulous has the retail touch: Sir Philip Green ships about 150 million garments a year through ‘cheap chic’ outlets such as the Topshop chain. He’s worth about $7.6 billion and is still working
on how his businesses can adjust to a new consumer embracing social media

Sir Philip Green doesn’t waste time. My allotted slot with the global king of affordable chic is at 1 o’clock, and at 12.59pm, after ice water and coffee has been served in the plush reception area outside his office (pale carpets, swanky sofas, Jo Malone scent in the loo), the door swings open and here he is; pin-neat grey suit, pristine white shirt open at the neck. Two buttons, no tie; silver swept-back hair shimmering with the sheen of a shampoo commercial; tanned skin positively glowing. In other words, the absolute picture of a 58-year-old, self-made man worth about £4.43billion ($7.6billion), whose Monday morning commute from the family home is by private jet from The French Riviera.
Green is famous for the fact he pulls no punches and answers his own phone (not some new-fangled device but an old Nokia; he has a stockpile of them). Want to know about the ethics of the rag trade – a tough call for a man whose fortune rests on cheap chic manufactured in the murkier corners of the world? He faces it head-on, doesn’t blink. The only thing his VP of communications has suggested is that I don’t ask for his life story “because the risk is, that’s your time gone”.
I decide not to ask about his plush pad in Monaco, a tax haven, either. As Green has told reporters before – not angrily, just firm – he pays tax in Britain. He does not claim non-residency. (However, that Britain’s ninth-richest person has received hefty dividends from Taveta Investments, which is in the name of his Monaco-based wife, Lady Tina, has been widely reported; less publicised is the fact that he has not done so for the past four years.)
In Australia, Green’s best-known brand is Topshop, which, famously, carries a collection by Kate Moss and sells in Incu in Sydney, as well as in New York, Paris, Hong Kong. It also sells in The Department Store in Takapuna, New Zealand, where, when the brand arrived last May, the first sale was at 7.03am and it took four hours to clear the queues around the block.
Green’s Arcadia Group, privately owned by Taveta Investments, also numbers a score of High Street chains not present in Australia, as well as vast and growing e-commerce sites. The brands operate in more than 30 countries across Europe, the Far East and Middle East. Pretax profit for 2008-09, the most recent data available, was £213.6 million, up 13 per cent from £188.9 million. This in a recession still being felt deeply in Britain.
Those MBAs that have become fashion’s favourite accessory are not for this high-school dropout. “There’s parts of it you can learn, which are probably the mechanical pieces,” the billionaire concedes. “But you can’t learn to have a good eye. You either have it or you don’t.” Of course, Green has it and his decisions are snappy. “I’m doing this on the run, I’m turning up, show it to me,” is how he explains his M.O.
“So just now, I was just going through ladies dresses for Christmas; before that, knitwear. When you’ve finished, I’m going to see Kate Moss about her collection. Do I chuck stuff out I think won’t work? Yeah. I saw some knitwear this morning. Didn’t like it on the hanger. Then I’m looking at dresses and I asked [myself]: ‘If this was your last bet, is that where you’d be putting your money?’ In my mind, you weigh up the risk/reward box. I said, ‘If you want to buy a dress that sells at £40, and you want to buy a dress that sells at £70, buy 5,000 of the one that sells at £40, and 600 of the one that sells at £70. It’s not negotiable – unless they prove to me the reason why they think I’m wrong.”
Green hails from London’s Croydon, a suburban sprawl better known as the birthplace of Kate Moss, whose Topshop collections reward her with an undisclosed fee, plus a percentage. As for the ‘Sir’ bit, no one from Croydon, where there are no stately homes or rural acres, has one of those inherited toff titles. Sir Philip Green’s was earned, bestowed for services to business. He was born not rich, not poor. His parents ran garages, electrical shops, property. When he was 12, his father died, his mum carried on and he helped out in the business during school holidays until he left school at 16 and started out on his own. He hawked cheap shoes from China, then jeans. Then he bought up some struggling shops, was making money and, well, let’s fast-forward to 2002, when he acquired the Arcadia Group, including the Topshop chain, for £850 million – or we will, indeed, be here all day. He acquired British Home Stores, rebranded now as Bhs, before Arcadia but has failed in three attempts to grab the High Street prize that is the giant Marks & Spencer.
No surprise that the king of the hill is both liked and loathed; he’s liked by Kate Moss and Naomi Campbell – both of whom call him ‘Uncle Phil’ – and by most key staff, who praise his unerring instinct, photographic memory and ability to helicopter in (often literally) and sort things out. Green is loathed, or more accurately envied, by a certain segment of the British tabloid press, which deems it obscene for a man who has made his own money to relish spending it, hence snide asides about the Gulfstream jet, the pad in Monte Carlo, the family cruises aboard the 63-metre yacht, Lionheart, while the Greens’ now-adult children, Chloe and Brandon, weigh anchor nearby aboard the 33-metre Lionchase.
Sir Philip and Lady Tina throw lavish parties, hiring Beyoncé or Rod Stewart to entertain their guests. The list of charities supported by a spectacularly fat wallet is long, so we’ll start and end with how Green first met Moss when he paid £60,000 for a kiss in a charity auction. Aware how seedy taking the prize would look, he donated it to the underbidder, Jemima Khan. Images of the girl-on-girl smooch went around the world.
You won’t, by the way, find many of the fashion pack scoffing at Green, especially since it was under his ownership that Topshop, once notorious for rip-offs that stole designer ideas, turned into a fulcrum of creativity. For almost a decade, Topshop has been funding New Gen designers in the early stages of their careers, plus (brilliant this) every season, Green and team set up what has to be the world’s most glamorous soup kitchen to feed and water (and champagne) the international fashion pack during London fashion show season.
Green takes plenty of time off – summer on the Med, winter in Barbados, fitness breaks in the US in between – but that isn’t to say he switches off. “I went walking in Arizona last week and a lot of the time I spent thinking, ‘How can we do things differently? How do we adjust to the new world we live in?’” he says. “We’re in an over-shopped world, so you’ve got to create more theatre, more fresh … You’ve got young kids now who spend their time on this Twitter, Facebook, YouTube and every other form of communication on the planet. You have to be clever, smarter, newer …”
Back when Green was flogging his first cheap shoes, the consumer didn’t care about workplace practices, ethical fashion, carbon footprint. Arcadia owns none of the factories in about 60 countries – including China, India, Mauritius, Romania, Turkey – that supply its stores, although, of course, its management and staff are acutely aware that proof of something ghastly, like child labour or mistreatment of women, could threaten everything. Arcadia funds what is probably the global clothing business’s biggest compliance team, last year alone staging 1,044 factory ethics audits, carried out by independent bodies trained not just to look but to ask, and in such a way that those on the economic margins fearful for their livelihoods are able to respond.
“When you’ve got a business directly employing 45,000 people, therefore probably indirectly [benefiting] 150,000 with families and kids, you know everyone is watching,” Green says. “I want to sell the best products I can, at the best price I can, in the best quality I can and there’s no point cutting corners, because you’ll get caught. You’ve got to educate the people who work for us that we want to do things in the right way. We run a very professional, proper ship. There’s no dodging round.” In 2009 alone, the group rejected approaches from 37 new factories until work practices were brought into line. Thus, the consumer can enjoy fast fashion, confident that it has been produced fairly, although there are still improvements to be made. “I don’t want to be a manufacturer,” Green says. “I finance them; I lend them money; I help them buy machinery; I help them build factories but I don’t want to be the owner because I don’t live there. I can’t put my hand on my heart and say to you I know about every single worker. We’re shipping 150 million garments a year. I can’t look you in the eye and say I can guarantee every single piece because someone’s got to go to Timbuktu, make it, inspect it, colour it, ship it. But, hopefully, we are doing as good a job as we can.” Arcadia also has an in-house ‘police’ force, the Fashion Footprint Group, which has a clear mandate to align social responsibilities with business practice, encompassing everything from recycling to taking a stand on the mulesing of Australian sheep. (From the end of 2010, Arcadia will not work with wool suppliers who practice mulesing against fly strike, irrespective of the use of pain relief.)
But enough of the worthy stuff. What Green really wants to talk about is shopping, knowing that, on the way here, I’ve popped into some of the stores. “What didn’t you like?” he demands. Eyes locked, I say I found the flagship Bhs store hard to navigate. “In which way?” The first floor didn’t entice me. “OK, that’s because you walked up [and] so hit childrenswear first. There’s always a struggle and a debate how we tell people what is on each floor. We’ll fix that.” On to Topshop, where the crowds and the chaos and the neon may be heaven on a stick to Sir Philip and every teenager – “if you took 20 CEOs to Topshop, they’d be dishonest if they didn’t say, ‘Wow, this is a real retail experience’,” he beams – but I found it such a jumble and so packed. “Jumbled up in which way?” he booms, “and who complains if it’s busy? Put that on your tape! That’s what those retailers want!”
Of course, what Topshop has, which fast fashion competitors such as Zara and H&M don’t have, is Kate Moss. (H&M did have her, but dumped her after an alleged brush with drugs earned her the nickname ‘Cocaine Kate’ in 2006.) As the myth goes, Kate moseyed up to ‘Uncle Phil’ in a restaurant a couple of weeks after the paid-for pash at the charity do, said something along the lines of, “We’re both from Croydon, let’s do business together”, and it’s been the music of the tills ringing ever since. But it wasn’t quite like that. Negotiations, apparently, were protracted, especially as Green, used to people snapping to attention, needed to be convinced a fashion princess could do things his way. “To be honest with you, at the time, without being conceited, I think it was actually pretty brave because a lot of people had dropped her,” Green recalls now. “People said to me, ‘Are you sure?’ And this is back to instinct, because that told me ‘Good moment’. Topshop had never had a ‘Face Of’ so it was a complete departure. Part of being an entrepreneur is risk and my attitude was, if I’m wrong, what’s the worst that’s going to happen to me? It’s not going to threaten my whole business.”
Actually, it has lifted it hugely. Moss is helping to push the image of Topshop to a whole new level. “It would be fair to say it [lifted] the profile,” Green says. “It’s never been a huge piece of business, and it was never planned to be a huge piece of business. It was about her brand, our brand coming together and you hit the right mood, the right moment. But at the end of the day, the product can’t lie. The merchandise has got to be great. You can’t kid people, and that’s what’s key.”
“Of course, Kate Moss helps,” says designer and retailer Karen Walker, of The Department Store in Auckland. It was Topshop that suggested forging a deal with the hip Kiwis of Takapuna, following successful partnerships with Opening Ceremony in New York, Colette in Paris, Laforet in Japan and Lane Crawford in Hong Kong. Walker says, “The volcano [in Iceland this year that disrupted air travel worldwide] interrupted our initial deliveries, so what we ended up doing was a one-weekend preview, which sold out, then we closed down for two weeks and the second opening was even bigger. We’re the custodians of the brand in New Zealand and both companies, long term, will benefit from the mutual experience.”
The brand made its Australian debut in October 2009 at Incu, transforming a little-used upstairs space above the Paddington store into a must-shop destination. “It’s provided us with a whole new customer base,” Incu director Brian Wu says. “Now, customers can go upstairs to our Topshop area to buy pieces to wear on the weekend and then head downstairs to buy a jacket they have been saving up for, which will last them for many seasons.”
As to why people somehow go more crazy for Topshop than its key competitors, specifically Zara, Green puts it thus: “Zara’s is a great business. I admire and respect it and I’d love to own it. We’re in a slightly different business, though. We’re more edgy. Mr Ortega [Amancio Ortega, Zara’s founder] told me one of his favourite shops in the world is our Oxford Street store, and if you’re in our industry, it would be.”
Later, we’ve moved on to chat about a schools program dedicated to fostering entrepreneurial flair when there’s a sudden ‘knock-knock’ and, “Sir Philip, your 1.30 is here”. It is 1.28pm. “Hello, Naughty,” he calls out through the open door, “with you in a minute.” “Hi Uncle Phil,” Kate Moss says as she pops her head around the door, then he’s back with me, 100 per cent focused, wrapping things up before we shake hands. And then Moss comes in, shakes my hand and we’re done. So it’s a minute later, back in the snazzy reception that the true power of Sir Philip Green hits me. Yeah the billions and the retail turnarounds in record time are impressive, but lordy! What about getting a supermodel to turn up two minutes early!    ■